The home page opens on an in-house film: an engraved copper still, rendered in Blender (Cycles) at 1920×1080. The rose dive on the Materials page is rendered the same way. The interactive 3D objects , the copper alembic you can turn on the Science page, the flacons on the History page, and the models offered in augmented reality , were each modelled in-house in Blender with physically-based materials. The globe, the orrery and the other engraved plates are drawn in the browser from the house’s own data. Two models are not ours, and are credited below; no purchased models are used on the site.

The rose in the opening film and in the rose dive is “Red rose” by Lassi Kaukonen, on Sketchfab, licensed CC BY 4.0. The opening film and the rose dive both use it, recoloured (house crimson in the film, damask pink in the dive) and rendered for this educational archive; we use its bloom only.

The copper still in the opening film and on the Science page is “Vodka distillation set” (MT-E/3446) from the District Museum in Tarnów, published by the Virtual Museums of Małopolska under CC0 1.0. It is a historic copper still, not a perfume alembic; we use its pot and helm, tinted, with the fire and steam simulated in-house.

3D models on this site that are not ours, each simplified for the web here (the ones you can place in your room are listed there):

• “Lidded incense burner (xianglu)”, China, early Western Han dynasty, about the 2nd century BCE: Freer Gallery of Art, National Museum of Asian Art, Smithsonian Institution, F1947.15a-b; 3D model by the Smithsonian Digitization Program Office, Smithsonian Open Access, CC0. A museum object, shown for the history of perfume; not a HombreOils product.
• “Greek, hand-vase clasping a lekythos” (HCM 233), 3D model by The Hunt Museum, via Zenodo, https://doi.org/10.5281/zenodo.18947964, licensed under CC BY 4.0 (https://creativecommons.org/licenses/by/4.0/). Modified (simplified and converted; not rescaled, as the museum’s record states no size) by HombreOils. A museum object, not a HombreOils product: its record.
• “Attic white-ground lekythos” (HCM 228), 3D model by The Hunt Museum, via Zenodo, https://doi.org/10.5281/zenodo.18949666, licensed under CC BY 4.0 (https://creativecommons.org/licenses/by/4.0/). Modified (simplified and converted; not rescaled, as the museum’s record states no size) by HombreOils. A museum object, not a HombreOils product: its record.
• “Gold pomander” (MG 087), 3D model by The Hunt Museum, via Zenodo, https://doi.org/10.5281/zenodo.18948074, licensed under CC BY 4.0 (https://creativecommons.org/licenses/by/4.0/). Modified (simplified and converted; not rescaled, as the museum’s record states no size) by HombreOils. A museum object, not a HombreOils product: its record.
• “Cosmetic jar” (MG 008), 3D model by The Hunt Museum, via Zenodo, https://doi.org/10.5281/zenodo.18948624, licensed under CC BY 4.0 (https://creativecommons.org/licenses/by/4.0/). Modified (simplified and converted; not rescaled, as the museum’s record states no size) by HombreOils. A museum object, not a HombreOils product: its record.
• “Red rose” by Lassi Kaukonen, on Sketchfab, CC BY 4.0 (the same rose as the films; simplified and rescaled for the room view).
• “Lemon” by Kuutti Siitonen, Poly Haven, CC0 (a stand-in for the bergamot).
• The molecules: drawn for this site from PubChem’s computed 3D conformers (National Center for Biotechnology Information), each credited with its compound number on its page.

Drawn and rendered for this educational archive , vector engravings and Blender renders , apart from the third-party models credited above. No stock photography, no stock illustration.

Bodoni Moda, Archivo and IBM Plex Mono, with a small Greek-letter subset of Noto Sans, all under the SIL Open Font Licence and self-hosted. The name in the top bar is drawn from Bodoni Moda outlines; on the home page it is set as live Bodoni Moda text.

three.js (MIT licence), release r186, self-hosted, draws the 3D viewer and the realtime engraved plates; Blender renders the films; the site runs on Cloudflare Workers. The sound, when you switch it on, is synthesised live in your browser; no recorded audio is used. These are tools, not content , apart from the two models credited above, every asset rendered through them is the house’s own.